![]() For more individualistic but nevertheless completely compelling interpretations, try the Vegh Quartet. For more deeply introspective interpretations, try the Alban Berg Quartet. For more profoundly beautiful performances, try the Quartetto Italiano. For the Takács Quartet, Beethoven's first set of string quartets from 1799 - 1800 is grand, dramatic, and almost heroic. Its interpretations are not so much thoughtful but impetuous. Its rhythm is not so much graceful as driven. Its tone is not so much beautiful as muscular. The Takács plays with accuracy, strength, and enthusiasm, if not much subtlety, nuance, or lyricism. Burstein (1998, p.Vigorous and expressive but not especially sentimental and clearly in favor of direct rather than sober reflection, the Takács Quartet's 2003 recording of Beethoven's String Quartets, Op. Philip Radcliffe (1965, p. 24) describes this moment as “beautifully contrived”. However, its return at the start of the recapitulation shows the theme in an entirely different light. The first movement starts with a gentle and unassuming theme: Beethoven Quartet, Op. Although it is numbered third, it was the first quartet Beethoven composed.Īccording to Steinberg, this is "the gentlest, most consistently lyrical work ", except for the fourth movement, in which "Beethoven first explores the idea of shifting the centre of gravity toward the end of a multimovement work". ![]() 3, was written by Ludwig van Beethoven between 17 and published in 1801, dedicated to Joseph Franz von Lobkowitz.
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